Brahim Ghali, or the Art of Governing an Invisible Republic 381
Some letters must be read to grasp how painfully detached from reality those who long ago chose to flee it can be. The two-page letter Brahim Ghali sent to the Secretary-General of the United Nations on 10 May 2026, in the English we all know, belongs to that fantastic strain of political literature that rewrites the world with the disarming conviction of someone who still believes the 1970s never ended.
In this “solemn document,” dated from “Bir Lahlou”, a mythic location used more as an epistolary backdrop than as a real diplomatic capital, the Polisario leader denounces almost everyone. No one is spared: Morocco, the great powers, the Kingdom’s international supporters, the media, resolutions interpreted to suit his purposes, and probably tomorrow the Earth’s rotation around the Sun.
What’s most striking about this “revolutionary” prose is the unfailing ability to speak as if the Polisario stood at the center of the world. It revives the old rhetorical reflexes of Third-Worldist movements preserved in ideological formalin: “occupation,” “colonialism,” “aggression,” “open war,” “international crime”… All that’s missing are a few Castro references, a Che quotation on a clandestine radio, and the clack of Soviet typewriters.
Meanwhile, the real world keeps moving.
Countries are recognizing Morocco’s sovereignty over the Sahara or openly backing Morocco’s autonomy plan. Even states that were traditionally cautious are taking positions with growing pragmatism. Major capitals now speak of investment, Atlantic corridors, regional stability and energy security. Yet in Tindouf, communiqués continue to be written as if the Berlin Wall were still standing.
The text turns unintentionally comic when it accuses Morocco of “disinformation” while describing an almost planetary war that apparently only the Polisario’s authors, or their back office 1,824 kilometers away, can see. A war so intense that tourists are flocking to Dakhla, investments are booming in Laâyoune, and foreign consulates keep opening in the southern provinces.
The contrast is striking.
On one side, a Morocco building ports, roads, infrastructure, industrial zones and pursuing Atlantic ambitions. On the other, a separatist leadership still dispatching indignant letters to the UN in hopes of rebooting a diplomatic software even its former backers have started to uninstall.
The most revealing passage may be where Brahim Ghali speaks of an “open war” while simultaneously calling for a return to a ceasefire his movement has repeatedly declared defunct since 2020. It’s circular logic worthy of the best absurdist sketches: the ceasefire is dead, yet we must return to what no longer exists so we can denounce who destroyed it, all while proclaiming we continue the war, a war that has not altered a single balance of power on the ground.
In this letter, the Polisario resembles those ruined aristocrats who keep signing checks from an abandoned chateau with no funds. The tone is grandiose and the accusations thunderous, but behind the stagecraft lies a brutal fact: the political exhaustion of an apparatus that survives by diplomatic inertia rather than historical momentum.
And then there is the constant obsession with Morocco. Everything revolves around the Kingdom. The Polisario lives against Morocco, speaks of Morocco, thinks of Morocco, accuses Morocco, dreams Morocco.
While Rabat talks globalization, Atlantic Africa, the 2030 World Cup and economic integration, separatist leaders keep composing letters like forgotten resistants of a “revolution” History has already archived. That is, assuming Ghali actually wrote the letter, which he is incapable of doing. Everyone knows that too.
The cruelest thing for Brahim Ghali may not be that the world proves him wrong.
It is that the world is gradually, simply, stopping listening.
That must be hard for him and his people... so let us pity these lost souls and laugh rather than condemn.
If Nabyl Lahlou were still with us and had read these two pages, he would likely have imagined a play titled: Brahim Ghali, or the Art of Governing an Invisible Republic from an Imaginary Geography. He had a knack for the absurd.